Black & White Video
Transform your footage into classic black and white with a single click. No settings to configure — just upload and convert for a timeless, dramatic look.
No account, no login, no credit card — just open and use.
How It Works
Upload your video
Click Process — no settings needed
Download your B&W video
Features
Use Cases
Create noir-style short films
Add dramatic effect to music videos
Stylize documentary footage
What monochrome actually keeps
Removing color sounds like subtraction, but what remains is the backbone of photography: luminance. Every pixel keeps its exact lightness; edges, texture, highlights and shadow all survive untouched. That is why good black and white never looks 'filtered' — it looks essential, the image reduced to structure and light.
It is also why source footage matters more here than with any color effect. Monochrome has no color to hide behind: strong side-light, silhouettes, fog, rain-slicked streets and expressive faces convert into drama, while flat noon light converts into gray porridge. Shoot — or choose — for light, and the conversion does the rest.
Why creators still reach for black and white
Practically, monochrome is the universal fixer for color problems: mixed white balance, sodium streetlights, clashing outfits in interview footage, brand colors fighting each other in a montage. One pass and every clip in a sequence suddenly matches — which is why multi-source edits so often go black and white.
Aesthetically, it signals timelessness and seriousness. Portrait clips, street footage, music performances and historical material all gain gravity. The classic pairing on this site: convert here, then add a touch of Vignette and a contrast lift — three quiet moves that together read as a finished look rather than a filter.
Frequently Asked Questions
How does the conversion to black and white work?
Color information is removed entirely — saturation to zero — leaving the luminance of every pixel intact. The tonal relationships in your footage are untouched: nothing gets darker or lighter, it simply stops being colored.
Why does my black-and-white clip look flat?
Color was doing separation work in the original: a red shirt against green leaves reads instantly in color, but both may share the same gray value. Footage with strong lights and shadows converts beautifully; evenly lit colorful scenes can flatten. The fix is a contrast lift afterwards — Brightness / Contrast at 1.2–1.4x restores the depth.
Is black and white better for some footage?
It flatters texture, faces, architecture and anything with dramatic light, and it forgives mixed lighting temperature and ugly color casts completely — a clip ruined by orange indoor light converts to a perfectly clean monochrome. It punishes footage whose whole point is color.
Can I get the film noir look with this tool?
This tool does the conversion; noir is conversion plus punch. Either add contrast afterwards with Brightness / Contrast, or use the Noir preset in Color Grading, which combines grayscale with a 1.4x contrast lift and a slight darkening in one pass.
Does converting reduce quality or change the audio?
The video re-encodes once at visually lossless CRF 23; the audio is copied through byte-for-byte. Nothing about the conversion is destructive beyond the color itself — though keep your color original, because the color cannot be restored from the output.
Often Used Together
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